Tassili n’Ajjer: birthplace of ancient Egypt?

philipcoppens.com

The author of this page, Philip Coppens, appears to be a journalist who specializes in alternative archaeology. It's difficult to convey the whole argument with a single extract, but here's something to give you an idea of the contents of the above page (which has some lovely photographs of rock art):

The true highlight, however, was Sefar. Little is written about the city. Lhote does not provide many details, except a map, showing its extent, as well as the presence of several streets and avenues, tumuli, tombs and something that he calls the “esplanade of the Great Fishing God”. Lhote named the character as he seemed to be carrying fish. But a closer inspection of the photograph that successive expeditions have taken, suggests what Zitman had always felt could be the truth: rather than a “fishing god”, was this character not depicted in a pose that the ancient Egyptians knew as “smiting the enemy”? It was a pose that was used by the Pharaohs to display their mastery over the forces of chaos.

The “Great Fishing God” of Sefar is thus potential evidence that there is indeed a link between Egypt and the Tassili. Some of the rock paintings also show boats, such as at Sefar and Aouanrhet. These depictions are very similar if not identical to what was discovered by the likes of Toby Wilkinson in similar sites and similar rock paintings in the region between the Nile and the Red Sea. He dated these paintings to the 5th millennium BC, which overlaps with the paintings of the Tassili. Like the Tassili, the desert area where Wilkinson uncovered these paintings was then verdant grassland. Like the Tassili, these Egyptian paintings are a complex mixture of motifs, depicting crocodiles, hippos and boats from the Nile alongside ostriches and giraffes from the savannah, and suffused with cattle imagery and the religious symbolism that would characterize classical Egyptian art.