The Indianapolis Museum of Art will be the first venue to host To Live Forever: Egyptian Treasures from the Brooklyn Museum, which will be on view July 13 – September 7, 2008. Featuring approximately 120 objects dating from 3600 B.C. to 400 A.D. from the world-renowned Egyptian art collection of New York’s Brooklyn Museum, the exhibition will illustrate the range of strategies and preparations the ancient Egyptians developed to defeat death and to achieve success in the afterlife.
“The IMA is pleased to be the first museum in a multiple-city tour for this exhibition,” said Maxwell L. Anderson, the Melvin & Bren Simon Director and CEO of the IMA. “Through a vibrant selection of artworks from one of the world’s leading collections of Egyptian antiquities, our visitors will gain real insight into the ancient quest for survival into eternity.”
The exhibition explores the belief that death was an enemy that could be vanquished, one of the primary cultural tenets of ancient Egyptian civilization. In order to survive in the next world, Egyptians would purchase, trade, or even reuse a variety of objects—statues, coffins, vessels, and jewelry for example—that would protect them in the afterlife. The exhibition explains the process of mummification, the economics and rituals of memorials, the contents of the tomb,
the funeral accessories—including the differentiation of objects used by upper, middle, and lower classes—and the idealized afterlife.”
There is a gorgeous photograph of the most famous of all of the Predynastic raised arm figurines. It is often referred to as the "bird lady" and came from Ma'mariyah.
Other items from the Egyptology collection at Brooklyn can be found on the Musem's website.
The Indianapolis Museum of Art has a website with a very good dedicated section for the exhibition, which has a video introduction to the exhibition (beware - it fires up with music as soon as you click on the link!). It is really nice to see some museums using their web pages to really support their exhibitions, both temporary and permanent.
Stan Parchin has reviewed the exhibition on the Suite 101 website.
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